Bibliography– The Impact of Contact with the Americas on Spain

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2. Altman, Ida. The Mirror of Spain, 1500-1700: The Formation of a Myth.

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5. ——————————————-. Amadis of Gaul: Books III and IV. Lexington: The University Press of Kentucky, 2009.

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12. ———————–. The Sale of the Century: Artistic Relations Between Spain and Great Britain, 1604-1655. New Haven: Yale University Press, 2002.

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16.—————————————.The Mayor of Zalamea. Woodbury, New York: Barron’s Educational Series, 1959.

17. ————————————–. The Surgeon of His Honour. Translated by Roy Campbell. Madison: University of Wisconsin Press, 1960.

18. ————————————–.Three Comedies. Lexington: University Press of Kentucky, 1985.

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30. Don, Patricia Lopes. “Franciscans, Indian Sorcerers, and the Inquistition in New Spain, 1536-1543.” Journal of World History 17, no. 1 (March 2006): 27-49.

31. El Greco. Lamentation, oil on panel, c. 1565-1570 (Philadelphia Museum of Art: Pennsylvania). http://library.artstor.org/library/secure/ViewImages?id=8D1Efjk2JSwyKSM%2FejRmXHghQRcqflZ8dSM%2BZg%3D%3D&userId=hzRAcw%3D%3D&zoomparams=

32. ———–. Portrait of a Lady, oil on panel, c. 1577-80 (Philadelphia Museum of Art: Pennsylvania). http://library.artstor.org/library/secure/ViewImages?id=8D1Efjk2JSwyKSM%2FejRmXHghQRcqflZ8dSM%2BZQ%3D%3D&userId=hzRAcw%3D%3D&zoomparams=

33.———–. Purification of the Temple, oil on canvas, c. 1600 (National Gallery: London). http://library.artstor.org/library/secure/ViewImages?id=%2FThWdC8hIywtPygxFTx5TnkgXn4pfQ%3D%3D&userId=hzRAcw%3D%3D&zoomparams=

34. ———–. Saint Andrew, oil on canvas, c. 1610 (The Metropolitan Museum of Art: New York). http://library.artstor.org/library/secure/ViewImages?id=%2FDFMaiMuOztdLS0wdD5%2BRnIj&userId=hzRAcw%3D%3D&zoomparams=

35. ———–. St. Jerome, oil on canvas, c. 1590 (The Frick Collection: New York). http://library.artstor.org/library/secure/ViewImages?id=8D1Efjk2MyAoJiYuFTx5T3EtX3ss&userId=hzRAcw%3D%3D&zoomparams=

36. ———–. Vincenzo Anastagi, oil on canvas, c. 1571-1576 (The Frick Collection: New York). http://library.artstor.org/library/secure/ViewImages?id=8D1Efjk2MyAoJiYuFTx5T3EtX3Uj&userId=hzRAcw%3D%3D&zoomparams=

37. Elliott, John. Spain and Its World, 1500-1700: Selected Essays. New Haven: Yale University Press, 1989.

38. —————-. Empires of the Atlantic World: Britain and Spain in America, 1492-1830. New Haven: Yale University Press, 2006.

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41.Foster, David William, Daniel Altamiranda, and Carmen Urioste–Azcorra. Spanish Literature: From Origins to 1700. New York: Garland Publishers, 2000.

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43. Francomano, Emily C. Wisdom and Her Lovers In Medieval and Early Modern Hispanic Literature. New York: Palgrave Macmillan, 2008.

44. Giles, Mary E.  Women in the Inquisition: Spain and the New World. Baltimore: Johns Hopkins University Press, 1999.

45. Goldfarb, Hilliard T. Titian and Rubens: Power, Politics, and Style. Boston: Isabella Stewart Gardner Museum, 1998.

46. Gongora y Argote, Luis de. Poems. Edited by Royston Oscar Jones. London: Cambridge University Press, 1966.

47. Gracian y Morales, Baltasar. The Art of Worldly Wisdom. Translated by Joseph Jacobs. New York: The Macmillan Company, 1943.

48. Green, Toby. Inquisition: The Reign of Fear. New York: Thomas Dunne Books, 2009.

49. Green, Otis Howard, ed. The Literary Mind of Medieval & Renaissance Spain: Essays. Lexington: University Press of Kentucky, 1970.

50. Greenblatt, Stephen. Marvelous Possessions: The Wonder of the New World. Oxford: Clarendon Press, 1991.

51. Griffin, Clive. Journeymen-Printers, Heresy, and the Inquisition in Sixteenth Century Spain. Oxford: Oxford University Press, 2005.

52. Haley, John O. “Foundations of Governance and Law: An Essay on Law’s Evolution in Colonial Spanish America.” Díkaion 23, no. 18 (2009): 163-203.

53. Hall, Linda B. Mary, Mother and Warrior: the Virgin in Spain and the Americas. Austin: The University of Texas Press, 2004.

54. Herzog, Tamar. “Communities Becoming a Nation: Spain and Spanish America in the Wake of Modernity (and Thereafter).” Citizenship Studies 11, no. 2 (May 2007): 151-172.

55. Ife, B.W. “The Literary Impact of the New World: Columbus to Carrizales.” Lecture, Letters from America, The New World and the Literary Imagination, Oxford, October 22, 1992.

56. ———–. “The Real and its Effect in Spanish Picaresque.” New Comparison 11 (1991): 3-12.

57. Ishikawa, Chiyo. Spain in the Age of Exploration, 1492-1819. Seattle: Universit of Nebraska Press, 2004.

58. Israel, Jonathan Irvine. Conflicts of Empires: Spain, the Low Countries and the Struggle For World Supremacy, 1585-1713. Ohio: Hambledon Press, 1997.

59. Jackson, Robert H. “Missions on the Frontiers of Spanish America.” Journal of Religious History 33, no. 3 (September 2009): 328-347.

60. Jones, Royston Oscar. The Golden Age: Prose and Poetry: The Sixteenth and Seventeenth Centuries. New York: Barnes & Noble, 1971.

61. Jusepe de Ribera, Jose. Naples, oil on canvas, 1651 (Yale University Art Gallery: Connecticut).

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62. ——————————–. Saint Bartholomew, oil on canvas, 1643 (El Paso Museum of Art: Texas). http://library.artstor.org/library/secure/ViewImages?id=8DtZYyMmJiI8KzBUej54R3wuWXgofw%3D%3D&userId=hzRAcw%3D%3D&zoomparams=

63. ——————————–. Virgin and Child, oil on canvas, c. 1646 (Philadelphia Museum of Art: Pennsylvania). http://library.artstor.org/library/secure/ViewImages?id=8D1Efjk2JSwyKSM%2FejRmXHghQRcqflZ8dSI%2BZw%3D%3D&userId=hzRAcw%3D%3D&zoomparams=

64. Kasl, Ronda. Sacred Spain: Art and Belief in the Spanish World. Indianapolis: Yale University Press, 2009.

65. Kleiman, Ephraim. “Cultural Ties and Trade: Spain’s Role in Latin America.” Kyklos 31, no. 2 (June 1978): 259-275.

66. Latimer, Jon. Buccaneers of the Caribbean: How Piracy Forged an Empire. Cambridge: Harvard University Press, 2009.

67. Lehman, Sara L. Sinful Business: A New World Commerce as Religious Transgression in Literature on and of the Spanish Empire. Newark: Juan De La Cuesta, 2010.

68. Loftin, John Clyde. Renaissance Drama in England & Spain: Topical Allusion and History Plays. Princeton: Princeton University Press, 1987.

69. Magal, Shmuel. Mansion of the Knight Commander of Alcuescar, digital (Doar-Na-Misgav, Israel). http://library.artstor.org/library/secure/ViewImages?id=8CNaaSQwKSw0NzU8dSUURXorXHwvdlR0dQ%3D%3D&userId=hzRAcw%3D%3D&zoomparams=

70. ——————–. San Andres Church, digital (Doar-Na-Misgav, Israel). http://library.artstor.org/library/secure/ViewImages?id=8CNaaSQwKSw0NzU8dSUURXorXHwoelh%2Feg%3D%3D&userId=hzRAcw%3D%3D&zoomparams=

71. ——————–. Saint Matthew’s Church, digital (Doar-Na-Misgav, Isreal). http://library.artstor.org/library/secure/ViewImages?id=8CNaaSQwKSw0NzU8dSUURXorXHwvdlBwdw%3D%3D&userId=hzRAcw%3D%3D&zoomparams=

72. ——————-. Santa Maria La Mayor Collegiate Church, digital (Doar-Na-Misgav, Isreal). http://library.artstor.org/library/secure/ViewImages?id=8CNaaSQwKSw0NzU8dSUURXorXHwof1N0eg%3D%3D&userId=hzRAcw%3D%3D&zoomparams=

73. Matthews, Roy T. and F. DeWitt Platt. Western Humanities. Mountain View, California: Mayfield Publishing Co., 1995.

74. McAlister, Lyle N. Spain and Portugal in the New World, 1492-1700. Minneapolis: University of Minnesota Press, 1984.

75. Mignolo, Walter. The Darker Side of the Renaissance: Literacy, Territoriality, and Colonization. Ann Arbor: University of Michigan Press, 1995.

76. Mills, Kenneth and William B. Taylor. Colonial Spanish America: A Documentary History. Delaware: Scholarly Resources, 1998.

77. Morales, Luis de. Christ Meditating on the Passion, oil on panel, c. 1565 (Minneapolis Institute of Arts: Minnesota). http://library.artstor.org/library/secure/ViewImages?id=9yVbfj0kJCxdLS04ezRzRXguWg%3D%3D&userId=hzRAcw%3D%3D&zoomparams=

78. Murillo, Bartolome Esteban. The Adoration of the Maji, oil on canvas, 1655-1660 (Toledo Museum of Art: Ohio). http://library.artstor.org/library/secure/ViewImages?id=9yVbfj0kJCxdLS04ejl3Tn4kXw%3D%3D&userId=hzRAcw%3D%3D&zoomparams=

79. ———————————–.Christ Bearing the Cross, oil on canvas, c. 1665-75 (Philadephia Museum of Art: Pennsylvania). http://library.artstor.org/library/secure/ViewImages?id=8D1Efjk2JSwyKSM%2FejRmXHghQRcqflZ8dSI1bQ%3D%3D&userId=hzRAcw%3D%3D&zoomparams=

80. ———————————–. The Crucifixion, oil on canvas, c. 1650 (The Metropolitan Museum of Art: New York). http://library.artstor.org/library/secure/ViewImages?id=%2FDFMaiMuOztdLS04ezl4RX8gVw%3D%3D&userId=hzRAcw%3D%3D&zoomparams=

81. ————————————. The Immaculate Conception, oil on canvas, c. 1670 (The Cleveland Museum of Art: Cleveland, Ohio). http://library.artstor.org/library/secure/ViewImages?id=8D1Efjk2NjsgQi85cDV6THQp&userId=hzRAcw%3D%3D&zoomparams=

82. Newson, Linda A. “Medical Practice in Early Colonial Spanish America: A Prospectus.” Bulletin of Latin American Research 25, no. 3 (July 2006): 367-391.

83. Pantoja de la Cruz, Juan. Margaret of Austria, Queen of Spain, oil on canvas, 1605 (Samuel H. Kress Foundation: New York). http://library.artstor.org/library/secure/ViewImages?id=8DtZYyMmJloyLyw7eDt5R30s&userId=hzRAcw%3D%3D&zoomparams=

84. Parker, Alexander Augustine. The Philosophy of Love in Spanish Literature, 1480-1680. Edinburgh: Edinburgh University Press, 1985.

85. Parr, James A. Don Quixote, Don Juan, and Related Subjects: Form and Tradition in Spanish Literature, 1330-1630. Pennsylvania: Susquehanna University Press, 2004.

86. Quevedo, Francisco de. Charles Duff, ed. The Choice of Humorous and Satirical Works. Translated by Sir Roger L’Estrange. New York: E.P. Dutton, 1926.

87. ——————————-.Lazarillo de Tormes. Translated and edited by Michael Alpert. New York: Penguin Books, 2003.

88. Ressort, Claudie. “The Renaissance in Aragon: Bilbao, Valencia and Zaragoza.” The Burlington Magazine 152 (June 2010): 435-436.

89. Robbins, Jeremy. The Challenges of Uncertainty: An Introduction to Seventeenth-Century Spanish Literature. Lanham, Maryland: Rowman & Littlefield, 1998.

90. Rubens, Peter Paul. Portrait of Thomas Moore, oil on panel, 1688 (Museo del Prado, Spain). http://library.artstor.org/library/secure/ViewImages?id=4iFCeTg4NCciJy8laCt2KngqVXkgdlJ6fg%3D%3D&userId=hzRAcw%3D%3D&zoomparams=

91. Saavedra, Miguel de Cervantes. Ed. E.C. Riley. Don Quixote de la Mancha. Translated by Charles Jarvis. Oxford: Oxford University Press, 1992.

92. Saint-Saens, Alain. Art and Faith in Tridentine Spain: 1545-1690. New York: Bern, 1995.

93. Schlesinger, Roger. In the Wake of Columbus: The Impact of the New World on Europe, 1492-1650. Wheeling, IL: Harlan Davidson, 1996.

94. Schwaller, John F. “Encoded Behaviors: Society, the Church, and Cultural History in Early Colonial Latin America.” Latin American Research Review 34, no. 2 (1999): 246-271.

95. Scott, Heidi V. “Paradise in the New World: And Iberian Vision of Tropicality.” Cultural Geographies 17 (January 2010): 77-101.

96. Silva y Velazquez, Diego Rodriguez. Maria Teresa (1638-1683), Infanta of Spain, 1651-1654, oil on canvas (The Metropolitan Museum of Art: New York). http://library.artstor.org/library/secure/ViewImages?id=%2FDFMaiMuOztdLS04ezV0S3UpXQ%3D%3D&userId=hzRAcw%3D%3D&zoomparams=

97. ———————————————–. Philip IV of Spain, oil on canvas, 1644 (The Frick Collection: New York). http://library.artstor.org/library/secure/ViewImages?id=8D1Efjk2MyAoJiYuFTx5T3EtU3Uo&userId=hzRAcw%3D%3D&zoomparams=

98. ———————————————–. The Supper at Emmaus, oil on canvas, 1622-23 (The Metropolitan Museum of Art: New York). http://library.artstor.org/library/secure/ViewImages?id=%2FDFMaiMuOztdLS0wdD59R3Ao&userId=hzRAcw%3D%3D&zoomparams=

99. ————————————————. Don Gaspar de Guzman (1587-1645), Count-Duke of Olivares, oil on canvas, 1635 (The Metropolitan Museum of Art: New York). http://library.artstor.org/library/secure/ViewImages?id=%2FDFMaiMuOztdLS04ezV0S3UpXw%3D%3D&userId=hzRAcw%3D%3D&zoomparams=

100. Smith, Paul Julian. Writing in the Margin: Spanish Literature of the Golden Age. Oxford: Clarendon Press, 1988.

101. Stoichita, Victor I. “Image and Apparition: Spanish Painting of the Golden Age and New World Popular Devotion.” Res 26 (Autumn 1994): 32-46.

102. Stone, Robert S. Picaresque Continuities: Transformations of Genre From the Golden Age to the Goethezeit. New Orleans: University Press of the South, 1998.

103. The Applied History Research Group. The European Voyages of Exploration. University of Calgary. http://www.ucalgary.ca/applied_history/tutor/eurvoya/columbus.html (accessed September 21, 2010).

104. Thomas, Hugh. Rivers of Gold: the Rise of the Spanish Empire, From Columbus to Magellan. New York: Random House, 2004.

105. Trusted, Marjorie. Art for the Masses: Spanish Sculpture in the Sixteenth and Seventeenth Centuries. London: Reaktion, 1997.

106. ————————. The Arts of Spain: Iberia and Latin America 1450-1700. Pennsylvania: Pennsylvania State University Press, 2007.

107. Valdes, Lucas. Portrait of an Ecclesiastic, oil on canvas, c. 1700 (Yale University Art Gallery: Connecticut). http://library.artstor.org/library/secure/ViewImages?id=8ClYeTwiOTIuIjZUej54R34rX3svfw%3D%3D&userId=hzRAcw%3D%3D&zoomparams=

108. Van der Hamen, Juan. Still Life With Sweets, oil on canvas, 1622 (The Cleveland Museum of Art: Cleveland, Ohio). http://library.artstor.org/library/secure/ViewImages?id=8D1Efjk2NjsgQi85cDV7QXkq&userId=hzRAcw%3D%3D&zoomparams=

109. Vazquez, Oscar E. “Translating 1492: Mexico’s and Spain’s First National Celebrations of the ‘Discovery’ of the Americas.” Art Journal 51, no. 4 (Winter 1992): 21-29.

110. Vega, Lope de. La Dorotea. Cambridge: Harvard University Press, 1985.

111. ——————–.Fuente Ovejuna; The Knight From Olmedo; Punishment Without Revenge. New York: Oxford University Press, 1999.

112. Villasenor Black, Charlene. “Love and Marriage in the Spanish Empire: Depictions of Holy Matrimony and Gender Discourses in the Seventeenth Century.” Sixteenth Century Journal 32, no. 3 (Fall 2001): 637-667.

113. Vollendorf, Lisa. “Recent Trends in Gender Studies: Early Modern Spain and Colonial Latin America.” Gender & History 18, no. 2 (August 2006): 412-416.

114. ——————–. “Good Sex, Bad Sex: Women and Intimacy in Early Modern Spain.” Hispania 87, no. 1 (March 2004): 1-12.

115. Wilson, Edward Meryon. Spanish and English Literature of the 16th and 17th Centuries: Studies in Discretion, Illusion, and Mutability. New York: Cambridge University Press, 1980.

116. Wind, Barry. A Foul and Pestilent Congregation: Images of ‘Freaks’ in Baroque Art. Aldershot: Ashgate, 1998.

117. Zurbaran, Francisco de. The Annunciation, oil on canvas, 1650 (Philadelphia Museum of Art: Pennsylvania). http://library.artstor.org/library/secure/ViewImages?id=8D1Efjk2JSwyKSM%2FejRmXHghQRcqflZ8dSI1aA%3D%3D&userId=hzRAcw%3D%3D&zoomparams=

118. ——————————-. Saint Benedict, oil on canvas, 1598-1664 (Metropolitan Museum of Art, New York). http://library.artstor.org/library/secure/ViewImages?id=%2FDFMaiMuOztdLS04ezV0S3UuXw%3D%3D&userId=hzRAcw%3D%3D&zoomparams=

119. ——————————–. St. Peter Nolasco’s Vision of New Jerusalem, oil on canvas, 1629-1630 (Museo del Prado: Madrid). http://library.artstor.org/library/secure/ViewImages?id=8CJGczI9NzldLS1WEDhzTnkrX3gofFp8dS8%3D&userId=hzRAcw%3D%3D&zoomparams=

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